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ÞÛÛÛ ²ÛÛ² ÞÛÛÛß²ÛÛÛ² ²ÛÛÛܲÛÛÝ ²ÛÛ² ÞÛÛÛ±²ÛÛÛÛÛ² °±ÛÛܲÛÛÛÛÛ² ²ÛÛ² ²ÛÛÛܲÛÛÝ ²ÛÛ² ÛÛÛ² ²ÛÛÛßßßÜÜܱÛÛ² ²ÛÛ²±ÛÛ² ÜÜÜÞÛÛ²±ÛÛ² ÜÜܱÛÛ² ÜÜܲÛÛÛßßßÜÜÜÞÛÛ² ÛÛÛ± ²ÛÛÛ° ²ÛÛ²°ÛÛÛ° ²ÛÛÛ°ÛÛ² ²ÛÛ²²ÛÛ²°ÛÛ² ²ÛÛ²°ÛÛ² ²ÛÛ²±ÛÛÛ° ²ÛÛ²²ÛÛ² ²ÛÛ° ÞÛÛÛ± ²ÛÛ² ÛÛÛÝ ²ÛÛÛ ²ÛÛ° ²ÛÛ²²ÛÛ² ²ÛÛ° ²ÛÛ² ²ÛÛ° ²ÛÛ²ÞÛÛÛ± ²ÛÛ²²ÛÛ² °ÛÛ² ßÛÛÛ±²ÛÛÝ ÞÛÛ² ²ÛÛß ßÛÛ±²ÛÛݲÛÛß ßÛÛ±²ÛÛÝ ßÛÛ±²ÛÛÝ ßÛÛÛ±²ÛÛÝÞÛÛ²±ÛÛß ßßßßß ßß ßßßß ßßßß ßßßß ßßßßß ßßßß ÜÜÜ ÜÜÜ °±²²ÛÛÛÛÛÛÛÛ²ÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜÜÜÜÜÜܲÛÛÛÛÛÛÛÛ²²±° °±²ßß ßßßßßßßßßßßßßß²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²ßßßßßßßßßßßßßß ßß²±° ±² ²± ± release information for : ± ° Billie_Holiday-The_Complete_Commodore_Recordings-BONUS_TRACKS-WEB ° ° ° artist.....: Billie Holiday title......: The Complete Commodore Recordings label......: Fly Me to the Moon genre......: Jazz rip date...: 2018-12-30 retail date: 2015-05-04 runtime....: 2:33:04 tracks.....: 47 size.......: 358.18MB quality....: 320kbps 44.1kHz codec......: MP3 (MPEG-2 Audio Layer III) encoder....: LAME url........: play.google.com ÜÜÜ ÜÜÜ °±²²ÛÛÛÛÛÛÛÛ²ÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜÜÜÜÜÜܲÛÛÛÛÛÛÛÛ²²±° °±²ßß ßßßßßßßßßßßßßß²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²ßßßßßßßßßßßßßß ßß²±° ±² ²± ± track list ± ° ° ° 01. Strange Fruit 03:15 ° ° 02. Yesterdays 03:28 ° ° 03. Fine and Mellow 03:20 ° ° 04. I Gotta Right to Sing the Blues 02:53 ° ° 05. Strange Fruit (Alternate Take) 03:23 ° ° 06. Yesterdays (Alternate Take) 03:02 ° ° 07. I Gotta Right to Sing the Blues (Alternate Take) 02:53 ° ° 08. How Am I to Know? 02:33 ° ° 09. My Old Flame 03:23 ° ° 10. I'll Get By 03:03 ° ° 11. I Cover the Waterfront 03:54 ° ° 12. How Am I to Know? (Alternate Take 1) 02:38 ° ° 13. How Am I to Know? (Alternate Take 2) 02:42 ° ° 14. How Am I to Know? (Alternate Take 3) 02:49 ° ° 15. My Old Flame (Alternate Take 1) 03:09 ° ° 16. My Old Flame (Alternate Take 2) 03:14 ° ° 17. My Old Flame (Alternate Take 3) 03:07 ° ° 18. I'll Get By (Alternate Take) 03:02 ° ° 19. I Cover the Waterfront (Alternate Take 1) 03:46 ° ° 20. I Cover the Waterfront (Alternate Take 2) 03:26 ° ° 21. I Cover the Waterfront (Alternate Take 3) 03:35 ° ° 22. I'll Be Seeing You 03:35 ° ° 23. I'll Be Seeing You (Alternate Take 1) 03:41 ° ° 24. I'll Be Seeing You (Alternate Take 3) 03:27 ° ° 25. I'm Yours 03:20 ° ° 26. Embraceable You 03:20 ° ° 27. As Time Goes By 03:16 ° ° 28. I'm Yours (Alternate Take 1) 03:16 ° ° 29. I'm Yours (Alternate Take 2) 03:27 ° ° 30. Embraceable You (Alternate Take 1) 03:17 ° ° 31. Embraceable You (Alternate Take 2) 03:16 ° ° 32. As Time Goes By (Alternate Take) 03:19 ° ° 33. He's Funny That Way 03:20 ° ° 34. Lover Come Back to Me 03:24 ° ° 35. I Love My Man (Aka "Billie's Blues") 03:12 ° ° 36. On the Sunny Side of the Street 03:06 ° ° 37. He's Funny That Way (Alternate Take 1) 03:07 ° ° 38. He's Funny That Way (Alternate Take 2) 03:07 ° ° 39. He's Funny That Way (Alternate Take 3) 03:19 ° ° 40. He's Funny That Way (Alternate Take 4) 03:36 ° ° 41. Lover Come Back to Me (Alternate Take 1) 03:27 ° ° 42. Lover Come Back to Me (Alternate Take 2) 03:18 ° ° 43. Lover Come Back to Me (Alternate Take 3) 03:20 ° ° 44. I Love My Man (Aka "Billie's Blues") (Alternate Take 03:32 ° ° 45. I Love My Man (Aka "Billie's Blues") (Alternate Take 02:57 ° ° 46. Any Old Time (Bonus Track) 03:13 ° ° 47. Trav'lin' Light (Bonus Track) 03:17 ° ° ° ° ÜÜÜ ÜÜÜ °±²²ÛÛÛÛÛÛÛÛ²ÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜÜÜÜÜÜܲÛÛÛÛÛÛÛÛ²²±° °±²ßß ßßßßßßßßßßßßßß²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²ßßßßßßßßßßßßßß ßß²±° ±² ²± ± release notes ± ° ° ° ° Eleanora Fagan, better known as Billie Holiday, was an American jazz singer with a career spanning nearly thirty years. Nicknamed "Lady Day" by her friend and music partner Lester Young, Holiday had a seminal influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills, which made up for her limited range and lack of formal music education.After a turbulent childhood, Holiday began singing in nightclubs in Harlem, where she was heard by the producer John Hammond, who commended her voice. She signed a recording contract with Brunswick Records in 1935. Collaborations with Teddy Wilson yielded the hit "What a Little Moonlight Can Do", which became a jazz standard. Throughout the 1930s and 1940s, Holiday had mainstream success on labels such as Columbia Records and Decca Records. By the late 1940s, however, she was beset with legal troubles and drug abuse. After a short prison sentence, she performed at a sold-out concert at Carnegie Hall, but her reputation deteriorated because of her drug and alcohol problems. ÜÜÜ ÜÜÜ °±²²ÛÛÛÛÛÛÛÛ²ÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜÜÜÜÜÜܲÛÛÛÛÛÛÛÛ²²±° °±²ßß ßßßßßßßßßßßßßß²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²ßßßßßßßßßßßßßß ßß²±° ±² ²± ± greetings ± ° ° ° Shout out to all of those who keep the dream of the scene alive. ° Special thanks to those who have paved the way and parted. We miss you!