: ' .. .:.... . ' ' ______________ : ________ : ' \ / .. .:. .. \ / : : \ /_________ \ / . .. ... .. . : .\ / /___ /\ \ / ______________ ___ _. : \ / / \ / \ \/ / \ \ \ \ \ . ...:..\ / _______/ \/ \ ___/__ / / / / / : /\ / / \ \/ \ / / / . sH! ' / \/ / / / \ / / . ... .:.... .. . :/ _______/ / / / _______/__ ___ __ .\ / / / / / / / / / / / \ / / / / / / / / / / / . . \ /\______/ / / / / \___ / / : \/ ____ \ / / / / / : \ / \ /\____/\ / / : : ________\/ \ / \ / / : ' \ / \/ \ /\ / : . ..:.. . \ / \/ \ / \ / \ / . ' : \/ F A N G \ / : ' ____ \ / . . .. .. .:.. . \ / presents \ / . . \/ \/ : : . ..:.. , : Artist......: Whitehorse : Album.......: The Northern South Vol. 2 : : Label.......: Six Shooter Records .. .:.. . Genre.......: Rock : Catnr.......: SIX118 . ' Source......: CDEP , ; Rip.date....: 2019-01-19 Str.date....: 2019-01-18 Quality.....: 244kbps/44.1kHz/Joint Stereo . :.. .:. Url.........: http://sixshooterrecords.com ' ' , ________ ________ \ / \ / \ / \ / \ / # title time \ / \/ \/ 1. Who's Been Talkin' 4:33 2. Baby, What You Want Me to Do 3:46 3. John the Revelator 3:18 4. Baby, Scratch My Back 4:33 5. I Just Wanna Make Love to You 2:55 6. St. James Infirmary 6:03 ______ \ / ________ Runtime 25:08 ,\ /... . . .... .... \ / ' Size 45.82 ______ :\/ ', \ / , \ / ' '... ..\ /.. .. .....:. .. .... .. . ..\ /. : Release Notes: \/ , \/ , ' ' ,: Itches, urges, dirges and scourges: welcome back to The Northern :, : South. Whitehorse makes their return to the early days of : :' electric blues with the second instalment of a project that ': ,: melds original grooves and melodies with the duo’s steamy, :, : swampy, squalling approach. There’s foreplay, foreboding, fever : :' and Fenders — plenty of them — with cuts from Howlin’ Wolf, ': ,: Willie Dixon, Jimmy Reed, Slim Harpo and more. :, : : :' “Blues gave rock ‘n’ roll its nerve. It breaks, bends and ': ,: distorts rules,” offers Melissa McClelland, one half of the duo. :, : “This sense of abandon, emotional and musical urgency trickled : :' into all forms of modern day music. There would be no Cardi B ': ,: without Lucille Bogan. There would be no Tom Waits without :, : Howlin’ Wolf and there would be no Stones without any of it.” : :' ': ,: On opener “Who’s Been Talkin’” (1957), Luke Doucet serves up a :, : hearty White Falcon slice of love and respect for Howlin’ Wolf : :' and his right-hand man, guitar hero Hubert Sumlin, while ': ,: melodica and Wurlitzer wind around the deft dance of the lyrics. :, : “The nuance of simultaneously accepting responsibility and : :' accusing a lover of doing him wrong was very subtle,” says ': ,: Doucet. “It’s a rabbit hole of contrition.” :, : : :' From there, Whitehorse gets loose and languid with a Jimmy Reed ': ,: via J.J. Cale take on “Baby What You Want Me To Do” (1959). With :, : a few Gretsch squelches for good measure, Whitehorse’s tribute : :' to Reed’s laid-back minimalism and melody mastery moves along ': ,: no faster than a Sunday morning. :, : : :' An exercise in subtlety it is not: Whitehorse’s version of Slim ': ,: Harpo’s “Baby, Scratch My Back” (1965) is a lap dance, an :, : unapologetically erotic, red-hot take. With McClelland on lead : :' vocals upending the original dynamic, Whitehorse’s version is ': ,: one of female desire and pleasure. Less girls gone wild, more :, : sexual intellectual. : :' ': ,: Next up is “I Just Wanna Make Love To You” (1954), a Willie :, : Dixon original given a Jon Spencer Blues Explosion-inspired : :' treatment—McClelland’s idea. “It would be impossible to top ': ,: Etta James’ steaming vocal, so I suggested we turn ourselves :, : into a garage rock band, a little scrappier, punchier and live : :' off the floor.” ': ,: :, : From a turbulent, direful crackling rapture to a haunting, minor : :' key requiem, The Northern South Vol. 2 goes further back in ': ,: time with two traditional gospel blues selections, “John The :, : Revelator” and “St. James Infirmary.” The latter features one of : :' the EP’s highlights: a righteous noisescape outro from ': ,: McClelland, played on Doucet’s Les Paul. “John the Revelator was :, : an interesting song to delve into,” says McClelland. “We liked : :' the intensity of the end of times bible story but we wanted it ': ,: to tell a more current, relevant tale. With some new words, we :, : touch on the end of days issues that feel pressing to us: global : :' warming, the Trump presidency, consumerism, and religion ': ,: itself.” :, : : :' Both snapshot and slingshot,The Northern South Vol. 2 cycles ': ,: back and careens forward, taking a twelve-bar trip through the :, : chart-toppers of the era. “These aren’t deep cuts, they are the : :' Top 40, the pop hits of the blues world, what was happening at ': ,: the time,” explains Doucet of the song selection process. “These :, : songs spoke to the basics. They communicated simple truths and : :' realities in ways that transcended boundaries.” ': : ' '.. ..' .. . :........... . . . . ............: . . ______________ ______________ \ / \ / \ / Shout out to all our homies from: \ / \ / \ / \ / iPC BOSS HiT2000 1way UKi i8 RNS \ / \ / RAGEMP3 MANDY DV8 pLAN9 BUTT \ / \ / \ / \/ ____ ____ \/ \ / F A N G \ / \/ 2 0 1 9 \/