ßÜ ßÛß Ûß ±Ü ° ± ° ° ßÜÜ ° Û ° ß Û ° ß ° ÜÜß Ü ° ß ÜÜ ° °Û ßß ° ÜÜ ßÛ ° ßßßÜ ° Ûß Üß °° ÜÛß° °° ßÜ ßÜÜßÜ °°° ±ßÛÛ² °°° ÜßÜÜß ÜßÜÛ ° °° ²²± °° ° ÛÜßÜ ßÛÛ²± °°° °°± °°° ±²ÛÛß ° ° ° ±±°° °°° °° °°° °°±± ° ° ° °°°° °°° °°°° ° °°°° °°° °°° ° ° ° ° ° ° ° ° ° ° °°°° ± °°°° °°°°° °°° ß °°° °°°°° °° °° °° °° °° °° °°°°°°° °°° Üß °°° °°°°°°° °°°°°° ° ° °°°°°° ° ° Üß ° °° °° Ü °° °° ° °°° ß° °°° °° °°° ° ° ° °° ° °° °°° ÜÛ °°°°°°° °°° ± ± °° °°°°° °°°°° ÛÛ °°°° ÜÜ ÛÛ ÛÛ ÜÜ °°°° °ßßßÛÛßßß° ° ÞÜ ßßÛßßÛß ßÛßßÛßß ÜÝ °° ÛÛ °° ÜÜß ÜÛ ÜÛÜß ÛÛß ßÛÛ ßÜÛÜ ÛÜ ßÜÜ °° ÛÛ °° ÜÛ ÜÛß ÛÛßÛßßß ßßßÛßÛÛ ßÛÜ ÛÜ ßÜ ÛÛ Üß ÜÜÛ ß ÜÜÜÜ ÜÜÜÜ ß ÛÜÜ ÜÛ ÛÛ ²Û ÛÛ ÛÜ ßÛÛ ß ÜßÜÛßÜ ÜßÛÜßÜ ß ÛÛßß ßßÛÜ ÛÛ Üß ÛÛ ÜÛßß ß ß ÜßÜßÜ Ü Ü Ü ÜßÜßÜ ß °°° ÛÛ Û² ÛÛ °°° ß ß ß ²Ü ßÜ Û Ü² ß ß ß °°°°°ß ÛÛ² ÛÛ ²ÛÛ ß°°°°°°° ²Ü Üß ßßÛÜÛ Û± Û Ü °°° ßÛÛÜ ÛÛ ÜÛÛß °°° Ü Ü ßÜ ßÜ±Ü ÛÛÜÛß ßÛÛÜÜÛ Ü ÛÜ Û Üß Ü °° ßßÛÜ ÛÛ ÜÛßß °° Û Û ÜÛ Ü ÛÜÛÛÛÛß ßßßßßßßßÛ²ÜÛÜÛÜ ßÜ Û ßßÜÜÜÛÛÜÜÜßß Û ÛÜÜÜÛ²ÛßßßßßßßßÛ ± ßßßÛÛÜÛÛÛ ßÛÛß ÛÛÛÜÜÛÛßßß ± ° ÞÛ þܱ߰ ÛÛ² °°° Û² °° ²ÛÛ ±Ü°ßþ ÛÝ ° ± ß±²ÛÛÛÛ°° Üßß ßÜ ßßÜ °°ÛÛÛÛ²±ß ± °° ßÜ ßßßþ Ü ²Û Ü þßßß Üß °° ±± Ü ÜÜ Üßß ²² ßßÜ ÜÜ Ü ±± ²² ßÛÛÛܱ۲Üܱܲ۲ÛÛ±Û²ß Ü±ß ° ²² ° ß±Ü ß²Û±Û۲۱ܲÜܲ۱ÜÛÛÛß ²² °° ÛÛÜÜÛÛÛ²ÛÛÛÛ²Û²ÛÛÛÛ²ÛÛÜß Üܲ ± ÛÛ ± ²ÜÜ ßÜÛÛ²ÛÛÛÛ²Û²ÛÛÛÛ²ÛÛÛÜÜÛÛ °° ±±²² ßÛÛÛÛÛÛÛÛÛ²ÛÛÛÛÛÛ²ÛÛÛÛÛßß ² ÛÛ ² ßßÛÛÛÛÛ²ÛÛÛÛÛÛ²ÛÛÛÛÛÛÛÛÛß ²²±± ßßÜÜÛÛÛÛÛ²²ÛÛÛÛÛÛÛÛÛÛÛÛßܲ °Û ÛÛ Û° ²ÜßÛÛÛÛÛÛÛÛÛÛÛÛ²²ÛÛÛÛÛÜÜßß Ü Ü ßßÛÛÛÛß²²ÛÛÛÛÛÛÛÛÛßÛÜܱÛßß ±ÛÜ Û Û± ßßÛ±ÜܲßÛÛÛÛÛÛÛÛÛ²²ÛßÛÛÛßß Üß² ÜÛÜ ßß ±±ß ÛÛÛ²ÛÛÛÛÛ±ßß ° ²ÜÛÛÜÛܲ ° ßß±ÛÛÛÛÛ²ÛÛÛ ß±±ß ß ß ÜÜÛÛÛ ßßßÛÛÛÜÜ Ü ßßÛÛ±ßß ÜÜܱ ²ÛÛÛÛÛÛ² ±ÜÜÜ ßß±ÛÛßß ÜÜÜÛÛß ßß Üß ßßßÛÛßßÛÛÜÜ ßÜÜÜ ÜÛÛÛÛÛ ÛÛÛÛÛÛÛÛÛÛ ÛÛÛÛÛÜ ÜÜÜß ÜÜßÛÛßßß ß ßÜ ÛÛÜ Ü Ü Üß Ü ÛÛÛÛÛÛßßÛÛÛÛÛÛÛÛÛÛßßÛÛÛÛÛÛ Ü ßÜ ÜÛÜ Ü ÜÛÛ ÜßÜß ÜÛßßÜÛÛÛÛß²ßßÜßßß ß²Ûß ²ÛÛÛÛÛÛ² ßÛ²ß ßßßÜßß²ßÛÛÛÛÜßßÛÜ ßÜßÜ ßÛÜÜÛÛ ÛÛÛß Ü ± ÜÜ ß²²²²ß ÜÜ ± Ü ßÛÛÛ ÛÛÜÜÛß ßÜßÜ ÛÛÛ ÜÛ °ß Ûß ±±±± ßÛ ß° ÛÜ ÛÛÛ ÜßÜß ÜÛß ßÜ ²²Ý ÛÛ Û °°°° Û ÛÛ Þ²² Üß ßÛÜ ÛÜ ßÜ ±±Ý ÛÛÛ Û Û ÛÛÛ Þ±± Üß ÜÛ ßÛÜÜÜßÜ °°Ý ÞÛÛÝ ² °°°° ² ÞÛÛÝ Þ°° ÜßÜÜÜÛß ßÛÜÜÜßÜ ÝÝ ÛÛÛÛ ± ° ± ÛÛÛÛ ÞÞ ÜßÜÜÜÛß ÛÜÜ ßÜ ÝÝ Û ÛÛÛ ° °°°° ° ÛÛÛ Û ÞÞ Üß ÜÜÛ ßÛÜßßÛÜ ÝÝ Ü Û ²ÛÛÛ ° ° ÛÛÛ² Û Ü ÞÞ ÜÛßßÜÛß ÞÛÜ ÞÛß ÝÝÜÛÝ ÞÛ ²ÛÛÛ ÜÛ ° Þ °° Ý ° ÛÜ ÛÛÛ² ÛÝ ÞÛÜÞÞ ßßÛÝ ÜÛÝ ÞÛÜ Û ÝÛßÛ ÛÛ ²ÛÛÛ° ÛÝÛÝ ÛÝ ÞÛ ÞÛÞÛ °ÛÛÛ² ÛÛ ÛßÛÞ Û ÜÛÝ ÛÛ Û Ûß±ÛÜ ÞÛÛÜ ßÛÛÛ² ÞÛ ÛÛÜ ÞÛÛ ÛÛÝ ÜÛÛ ÛÝ ²ÛÛÛß ÜÛÛÝ ÜÛ±ßÛ Û ÛÛ ÛÞ Û ÜÛÛßßÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛßßÛÛÜ Û ÝÛ ÛÞ Û Þ²Û °± ßÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛß ±° Û²Ý Û ÝÛ Û Û ± ÛÛÛÛ± ßÜÜÜÜÜÜÜÜÜÜÜÜÜÛÜÛÛßÜßÜßÜßÜßÜßÛÛÜÛÜÜÜÜÜÜÜÜÜÜÜÜß ±ÛÛÛÛ ± Û Û Û Û ÜÛÛÛßßÛßÛßÛßßÜÜ ²²±±°° ßÜßÜßÜßÜßÜß °°±±±²²ÜßßÛßÛßÛßßÛÛÛÜ Û Û Û Û ßßßÛÛÛÛÜÜÜÜ ßßÜÜÜÜÜ ß ß ß ß ÜÜÜÜÜßß ÜÜÜÜÛÛÛÛßßß Û Û Û Û ßßßßßÛßÜÜ ÜÜ ²ßßßßÜÜÜÜßßßß² ÜÜ ÜÜßßßßßßß Û Û ÛÞ Û ß ßÜÛÛÛßÝÛÛÛÞßÛ Û Û ÛÜÛÞßÛÛÛÜßÜß Û ÝÛ ÛÞ Û ÝÝÛ ÝÛ ÛÞßÛ Û Û ÝÝÛÞ ÛÞÞ Û ÝÛ Û Û ÝÝÛ ÝÛ ÛÞ Û Û Û ÝÝÛÞ ÛÞÞ Û Û Û Û ÝÝÛ ÝÛ ÛÞßÛ Û Û ÝÜÛÞ ÛÞÞ ° Û Û Û Û ° ÝÛ ÝÛ ÛÞ Û Û Û ÝÝÛÞ ÛÞ Û Û ÛÞ Û Ý Ý ÛÞ Û Û Û ÝÝ Þ Þ ° Û ÝÛ ÛÞÞ Û ± Ý ²Þ Û Û Û Ý Þ Ü Û ÝÝÛ ÛÞ Û ßÜ ±Þ Û Û Û Ý± ßÜ Û ÝÛ ÛÞ ° ° Û Û Û ° Ü Û ÝÛ Ý Üß ² ° Û Û Û ° ßÜÛ ° Þ Ý þ Û ßÜ ² ßÜ ßÜ Þ Þ ß Ü Üß ± Üß ÜÛß± Ý Þ °Üß ßÛ° ° Û° ßÜ Ý Ý ² Üß ßÛÜ ±Ûß Þ ß ßÜ Û ° ÛÛ ß² ß ÜÜþ ²Û ° ± Ü ÛÛ ° ÜÛÛßß ÛÛ± Ü ² ÜÝ °ÜÛ ÜÜܱ ÛÛÜ ßßÜ þ° ßßÜ ßÛ Üßß ÛÛÛ ± ßÛÛÛÜÜÜÜÜ ÞÛÜÝ ßÜ ÞÛÜÛÝ Û Üþ ßßßÛÛÛÜÛÛ²ÜÜÜÜ ÛÛÛßßßßÛÛÛÛ² ÛÛÛ ²ÛÛÜ ÛÛÛ ÛÛ² ßÛÛÛßßßÛÛÛ ÛÛ ßß ±ÛßÛ ßß ÛßÛ ÛÛÛ± ÜÜÜܱ ÛÛÛ ° ÛÛ² ÛÛÛ Û ÜÜ ÜÜÜÜÜÛÛÜÜÝ ÜÜ ÜÜÜÜÜÛÛÜÜÝÜÜÛÛÛ ÜÜÜÛÛÛÛÛÛÛÛÛß ÞÛÛÝ ÞÛÛÝ ßÛÛÜÜ ÜÛÛ ÜßßÛÛÛÜ ßßÛÛÛßßß ßÛÛÛÜ ßßÛÛÛßßß ÛÛÛÛÛ ßÛÛÛß ÛÛ² ßÛÛ ÛÛÛ Û² ß ²ÛÛÜ ßÛÛÝ ÞÛÛß ßÛÛÝ ÞÛÛß ßÛÛÛ ÞÛÛß ÛÛ² ÛÜ ²ÛÝ ÛÛÝ ÄÄÄÄ ÛÛÝ ÄÄ ÛÛÛ ÛÛÛ ÄÄÄÄ ÛÛÛ ÛÛÛ ÄÄÄÄ ÛÛÛ ÛÛÛ ÛÛ² ÛÛ² ÄÄ ÞÛÛ ÞÛÛ °°°° ÛÛ° °° ÛÛÛ ÛÛÛ °°°° ÛÛÛ ÛÛÛ °°°° ÛÛÛ ÛÛÜÜÜßßß Ü ÛÛ °° ÛÛÝ ÛÛÛ °° ÛÜÛ ° ÛÛÛ ÛÛÛ °° ÛÛÛ ÛÛÛ °° ÛÛÛ ÛÛÛ ÜÛÛ ÛÛ² ° ÛÛÛ ÛÛÛ ÛÛÛ ßÜÛ ÛÜß ßÜÛ ÛÜß ßÜÛ ÛÜß ÜÜßßßß ßÛÛ ° ÛÛÛ ²ÛÛÝ ÛÛÛ ° ß²ÛÛ ÛÛ²ß ß²ÛÛ ÛÛ²ß ° ß²ÛÛ ÛÛ²ßß Ü ß ÞÛÛ² ÞÛÛÛ ÛÛÛÜ ÛÛ ÛÛ ° °° ÛÛ ÛÛ °° °° ÛÛ ÛÛ °° ÛÛ ÜÜÛßßÛÜ ÛÛÛÝ ÜÛÛÛ ° ÛÛ² °° Û Û ° ° Û Û ° °° Û Û °° ß²ÜÜÛßß ßÛÛÛÛÛÜ ßÛÛÛÜ Ûß °° Û Û °° Û Û ° °° Û Û ßß Ü²ÛÛÛßß ° ßÛÛÛÜ Üß °° ° Þ Ý ° Þ Ý ° Þ Ý sM!iMPURE ÛÛÛ± ° °°° ÛÛÛß °° ° Þ Ý °Þ Ý °Þ Ý ./\\//\\. ßÛÛÛ °° °°° ÛÝ ° °° ° ° ° ° ÞÛ °° °° ² °° °° ² °° ° ° ° ° ° ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜÜÜßßßßßßßß ßßßßßßßßÜÜÜÜÜÜÜÜÜÜ ÜÛß Üß ßÜ ßÛÜ Û²ßß RELEASE INFORMATION for: ßß²Û ²± Volbeat-Rewind_Replay_Rebound-DELUXE_EDITION-WEB-2019-ENTiTLED ±² ±° °± ° artist........ | Volbeat ° title......... | Rewind, Replay, Rebound label......... | VOLBEAT genre......... | Metal rip date...... | 2019-08-01 retail date... | 2019-08-02 runtime....... | 1:31:43 tracks........ | 22 size.......... | 213.79MB quality....... | 320kbps 44.1kHz ° codec......... | MP3 (MPEG-2 Audio Layer III) ° ±° encoder....... | LAME °± ²± ±² Û²Ü Ü²Û ßÛÜÛ ÛÜÛß ßßßßßßßßßßÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜßßßßßßßßßß °²Ü ß ßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßß ß Ü²° ÛÛ ÛÛ Üßßß ------------------------------------------- ßßßÜ ßßÛ ú ú< t r a c k . l i s t >ú ú Ûßß Ûß² ------------------------------------------- ²ßÛ Ûß ßÛ ßÜ Üß Ûß ßÛ Û Û ß ß ± ± Û Û ß ß Û 01 > Last Day Under The Sun < 04:47 Û Û 02 > Pelvis On Fire < 03:05 Û Û 03 > Rewind The Exit < 04:14 Û Û 04 > Die To Live < 03:02 Û Û 05 > When We Were Kids < 04:36 Û Û 06 > Sorry Sack Of Bones < 03:48 Û Û 07 > Cloud 9 < 04:57 Û Û 08 > Cheapside Sloggers < 03:52 Û Û 09 > Maybe I Believe < 04:58 Û Û 10 > Parasite < 00:37 Û Û 11 > Leviathan < 04:35 Û Û 12 > The Awakening Of Bonnie Parker < 04:18 Û Û 13 > The Everlasting < 05:50 Û Û 14 > 7:24 < 04:10 Û Û 15 > Under The Influence < 04:32 Û Û 16 > Immortal But Destructible < 04:35 Û Û 17 > Die To Live < 03:02 Û Û 18 > Last Day Under The Sun (Demo) < 04:37 Û Û 19 > Rewind The Exit (Demo) < 04:14 Û Û 20 > When We Were Kids (Demo) < 04:27 Û Û 21 > Maybe I Believe (Demo) < 04:57 Û Û 22 > Leviathan (Demo) < 04:30 Û Ü Ü Û Û ± ± Ü Ü Û Û ÛÜ ÜÛ Üß ßÜ ÛÜ ÜÛ Ûܲ ²ÜÛ ÜÜÛ ÛÜÜ ßÜÜÜ ÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜß ÛÛ ÜÜßßßß ÜÜÜÜÜÜÜÜÜ ßßßßÜÜ ÛÛ °²ß ÜÜÜÛÜÛÜÛÜÜÜÜßßß ßßßÜÜÜÜÛÜÛÜÛÜÜ Ü ß²° ÜÜÜÜÜÜÜÜÜÜßßßßßßßß ß ß ß ß ßßßßßßßßÜÜÜÜÜÜÜÜÜÜ ÜÛßÛ ÛßÛÜ Û²ß ú ú< RELEASE NOTES >ú ú ß²Û ²± ±² ±° °± ° ° For much of their career, Grammy-nominated Danish rock band Volbeat (est. 2001) have been critically celebrated and commercially rewarded for their unique and inimitable fusion of classic rock 'n' roll, heavy metal, and rockabilly. The band distilled its disparate influences --everyone from Johnny Cash to Elvis Presley to Metallica to Slayer into a fresh, thrilling sound that quickly separated itself from the pack and from peers. The patented formula, which is actually anything but formulaic, lead to five No. 1 singles at the Active Rock format and 2010's Beyond Hell/Above Heaven being certified Gold in the United States. The most memorable rock music functions best and resonates most fervently with fans when there is an authentic, fully beating heart at its core and pumping blood and adrenaline through its veins. That has always been the case with Volbeat and such remains true with their sixth album Seal the Deal & Let's Boogie.The album is frontloaded with groove-centric, stadium-sized riffers that invoke emotion and inspire singing along. Volbeat's sound is distinct as DNA --you hear a vocal line or a sonorous riff and you know it's Volbeat-- and it remains flawlessly executed. Overall, the songs crackle with catchy melodic Rock imbued with Volbeat's signature sound. The album is also fully immersive, inviting listeners along for the sonic journey via an intricate labyrinth of characters and deftly established storylines featuring characters from New Orleans' turn-of- the-century voodoo scene. The album stimulates every sense, be it base or highly evolved. Therefore, Seal the Deal & Let's Boogiedefies categorization.Singer/guitarist and main song writer Michael Poulsen is thoroughly excited about how the album demonstrates the progress and development of the Volbeat sound, which the band has been perfecting for over a dozen years. Yet he is quick to note the album's tone and theme is "spiritual with sarcasm" and he invites fans to read between the lines when it comes to processing that lyrical skew. Sonically, he points to melodies that are more upfront while still distinctly Volbeat and it's as though each prior album was the launchpad to get to this point.The frontman said, "[The album] is Volbeat. But there is progress, too, when it comes to songwriting with huge melodies. It has the songs I have been trying to write for years and it seems like I was in the right spot to gather all the pieces."Volbeat were able to fully execute their musical plan with former Anthrax guitarist and producer Rob Caggiano now firmly installed in his role as Volbeat guitarist, co-producer, and co-writer of some of the songs. Caggiano joined Volbeat after realizing he wanted a career shift and due to his desire to step outside of his comfort zones and challenge himself. The addition of Caggiano added an adrenalized boost to Volbeat's previously existing desire to further evolve. The chemistry has been cemented and as Caggiano succinctly put it -- "it just feels right." Therefore, the Volbeat chassis is more stable and sturdy than ever, as the album also finds the band changing lanes, without drifting too far from the core or patented Volbeat sound.For the song "Goodbye Forever," Volbeat invited the Harlem Gospel Choir to perform with them, something Poulsen has wanted to do since the band's third album. "I have long wanted to bring in a gospel choir in, but I did not have the right idea. This? It just came naturally." With an assist from the choir, the song explores the idea of global karma. "You have to be thankful for air we breathe and remember that Mother Nature will always be the boss," Poulsen mused. "I am trying to wake up everyone who thinks they are here forever. Do not expect tomorrow to be there. Think about what you do before you wake up or go to bed. Say what you need to to your loved ones.The band recruited Danko Jones for the song "Black Rose" and drafted Danish singer/songwriter Mia Maja to contribute backing vocals on several of the songs. She was mined from the underground, as Poulsen was blown away after discovering her performing in a bar. This vocal addition allowed the band to layer its sound in a new way. Poulsen said, "I did all of the 'oohs' and the 'aahs' before. But this time, it seemed right to have a female voice doing those parts. I knew that the songs needed backing tones from a female, so we called her up. She was surprised and thought it was a joke, like she was Candid Camera or something, since she just played small bars. But she was into it."Another way Volbeat upped the ante on Seal the Deal & Let's Boogie was by employing the bagpipes. Poulsen acknowledged that they are a "special instrument that you either love or hate." Volbeat recruited one of Poulsen's best friends from his school days to play the bagpipes on "The Loa's Crossroad," which is about the gatekeepers of the spiritual world. It may indeed be a polarizing instrument, but it gets a reaction and you can't argue with the result.With the band taking musical risks that lead to great rewards, they were also free to push the boundaries with the subject matter. While not a concept album, Seal the Deal & Let's Boogie is spiritual, as mentioned. But Volbeat's definition of spiritual differs greatly from the traditional interpretation of the word. "When I say spiritual, I don't mean a believer," the singer said. "It's not religious, since I don't believe in God or the devil. But I do believe in the spiritual world and the songs have that voodoo element. It's not a concept but the songs are connected. It's not so much a theme, but rather using real characters who were strong in their belief about their contact with the spiritual world, with additional input from me, where I try and connect what once was and what is now."On "The Devil's Bleeding Crown," he perverts the usual cliches surrounding the devil and offers a very unique take on his enduring mythos. "How many times do we need to wake up the devil in heavy metal?," Poulsen asked with a laugh. " He had fun pissing off religion for the longest time and now he has to run from the crazy people who are his followers. He is retiring, since he is getting old. He had been partying way too long. But his son cannot be humanized, so he is fighting to find the crown and to give it to his son. You'll have to wait and see what he does."The rhythmically anthemic "Marie Laveau" explores the tale of one of NOLA's infamous voodoo queens, but with a modern day twist. "I am trying to wake her up from the dead and use her as an instrument to get in contact with my dead father," Poulsen explains. Meanwhile, "Gates of Babylon" explores the idea of a goddess who never made peace with her sister and therefore uses the song's protagonist as the conduit to locate her sibling in the underworld.Clearly, Volbeat go deep enough to reach marrow with the lyrical material that comprises Seal the Deal & Let's Boogie. It satisfies the listener's desire to rock hard and loud, thanks to a potent cocktail of grooves and riffs. Essentially, Volbeat and their new album slay all. Rewind, Replay, Rebound is the seventh studio album by Danish rock band Volbeat. The album is expected to release on 2 August 2019. This marks the first studio album with Kaspar Boye Larsen on bass. ° ° ±° °± ²± https://play.google.com/store/music/album?id=Bjf5wpyse6ly3tffqhugyj7nzqi ±² Û²Ü Ü²Û ßÛÜÛ ÛÜÛß Ü ßßßßßßßßßßÜÜÜÜÜÜÜÜ ÜÜÜÜÜÜÜÜßßßßßßßßßß Ü ÛÛ²ß ßßßßßßßßßÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜßßßßßßßßß ß²ÛÛ ÛÜß ßÜÛ Û ú ú< GREETINGS >ú ú Û Ü% %Ü Ûß ßÛ Ü% %Ü Ûß Shout out to all of those who keep the dream of the scene alive. ßÛ Ü% %Ü Ûß Special thanks to those who have paved the way and parted. ßÛ Ü% %Ü Ûß We miss you! ßÛ Ü% %Ü Ûß ßÛ Ü% %Ü Ûß ßÛ Ü% %Ü Ûß Ü ßÛ Ü% Û %Ü Ûß ßßßÛßßß ßÛ Û% ÜÜÜÜÜÜÜÜÜÜÜ Ü%Û ÛßÜßÜ ÜÜßßßß ÜÜÜÜÜÜÜÜÜ ßßßßÜÜ ÜßÜßÛ ÛÛ²Ü ÛÜÜÜßßßÜÜß ß ÜÜÛÜÛÜÛÜÜÜÜßßß Ü ßßßÜÜÜÜÛÜÛÜÛÜÜÜ ß ßÜÜßßßÜÜÜÛ Ü²ÛÛ ß ÜÜÜÜÜÜÜÜÜÜßßßßß²ß ßßÛßÛßÛßßßßÜÜÜ ßßÛßß ÜÜÜßßßßÛßÛßÛ ßß²ßßßßßÜÜÜÜÜÜÜÜÜÜ ß ÜÛßÛÜÜÜ ßßÛÜÛßß ÛÜÜÜÜ ßßÛ Û Ûßß ÜÜÜÜÛÛ ßßÛÜÛßß ÜÜÜÛßÛÜ Û²ß ßßßÜÛÛÜ ß ÜÜÛÛßß ßßßß Û ßßßß ßßÛÛÜÜ ß ÜÛÛÜßßß ß²Û ²± ßßÛÛÜÜÜÛßßß ° ° ßÛß ° ° ßßßÛÜÜÜÛÛßß ±² ±° ßß ÜÜ + ± ± Ü ± ± + ÜÜ ßß °± ° ßß²ÛÛßßßßÜÜ߲ܲ o ²ß²ÜÜÜßßßßÛÛ²ßß ° ÜÜÜÜÜÜÜÜ ÛÛÛÛÛÛÛÛÜÜÜ ßßßßÜÜÜßßßßÜÜÜÜÜßßßßÜÜÜÜßßßß ÜÜÜÛÛÛÛÛÛÛÛ ÜÜÜÜÜÜÜÜ Üßß²ÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜ° ßßßÜÜÜÜÜÜÜßßß °ÜÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛ²ßßÜ ÜÛÛÛÛÛÛ²²° °±ÜÜÜÜÛÜ ÜÛÜÜÜܱ° °²²ÛÛÛÛÛÛÜ ß ßßßß ßßßß